Theater: Ross & Rachel, 59E59

http://www.59e59.org/moreinfo.php?showid=242
ROSS & RACHEL

By James Fritz
Directed by Thomas Martin
Design by Alison Neighbour
Sound Design by John McLeod
Lighting Design by Douglas Green
With Molly Vevers

Look at all those couples out there. Which one will leave. Which one will run. Which one is cheating on the other. Which one will die first. Him. Him. Her. Him.
Ross & Rachel tells the mind-bending, heartbreaking story of what happens when a couple that was always meant to be together, gets together. And stays together.
In this disquieting duologue for one performer, Olivier-nominated playwright James Fritz takes an unflinching look at the myths of modern love. Vevers reprises her heartbreaking, award-winning performance from the show's critically-acclaimed, sold-out world premiere at the Edinburgh Fringe 2015.
★★★★
"FRITZ'S SCRIPT HAS A STREAK OF MISCHIEF A MILE WIDE... A VIRTUOSIC PIECE OF WRITING, PLAYFUL, POST-MODERN AND DEVASTATINGLY SERIOUS, ALL AT ONCE."
-TimeOut London

Film: The Art of Not Appearing

The Art of Not Appearing
After years of solitude and obsession, two ghosts cross paths and are forced to question their reasons for haunting.
Director : Pernille Rivedal Hellevik

Writer(s) : Pernille Rivedal Hellevik

Producer(s) : Inger Sveberg Dietrichs

Associate Producer(s) : Kai Gero Lenke
Director of Photography : Markus Englmair
Editor(s) : Kai Gero Lenke
Production Design : Tuva Rivedal Tjugen

Composer(s) : Paul Tyan

Sound Design : Simen Normann

Cast : Magne Haavard Brekke, Julia Bache-Wiig, Erik Aleksander Schjerven, Malin Aakre, Henning Rivedal, Sonja Rivedal, Asbjorn Tjugen, Tuva Rivedal Tjugen


We look forward to following this amazing young film director: http://www.pernillerivedalhellevik.com/

Pernille Rivedal Hellevik was born in Oslo and grew up on the rural West Coast of Norway. She studied Film and TV Production at the University of Bergen and at the University of Waikato in New Zealand. In 2012 she enrolled in the Film MFA Directing/Screenwriting program at Columbia University School of the Arts from where she will graduate in May 2016. Website: www.pernillerivedalhellevik.com

Music/Theater: The Rap Guide to Climate Chaos, Baba Brinkman

Praise for Baba Brinkman! With his encyclopedic knowledge of the subjects involved and his masterful, articulate rapping, this rapid-fire performance tossed us onto the rocky shores of science, politics and personal involvement. After the performance, we bought the complete CD set of Baba's rap programs. We're now huge fans.

http://www.bababrinkman.com/climate/

Theater: Toast at 59E59, May 2016

http://mobile.nytimes.com/2016/05/03/theater/review-toast-blends-farce-with-kitchen-sink-realism.html

Theater: The Idiot at HERE Theater, NYC

From the web site: http://here.org/shows/detail/1736/  Photo credit Carl Skutsch

A charismatic prince, a notorious woman, a spoiled socialite and a jealous rival square off in an electric quartet—and you’re invited to the party. In this hybrid response to Dostoevsky’s The Idiot, immersive staging and live cinematography launch you into the mind of a conflicted man in a tug-of-war between desire and compassion. In the face of a corrupt society, be there as he battles the depths and heights of human experience.   

Conceived and adapted from the Dostoevsky novel by Robert Lyons and Kristin Marting
Text by Robert Lyons
Directed and Choreographed by Kristin Marting
Environment by Nick Benacerraf
Video by Ray Sun
Composed By Larry Heinemann
Lighting by Jeanette Oi-Suk Yew
Costumes by Kate Fry
Stage Managed by William V. Carlton*
Assistant Directed by Drew Weinstein
Performed by Lauren Cipoletti*, Purva Bedi*,
Daniel Kublick*, and Merlin Whitehawk 

Theater: Hungry at the Public Theater, 3/2016

From the web site: http://www.publictheater.org/Tickets/Calendar/PlayDetailsCollection/1516/HUNGRY-Election-Year-in-the-Life-of-One-Family/

This season, Tony Award-winning playwright and director Richard Nelson returns to The Public with HUNGRY, the first in a new three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. 

To the rhythm of peeling, chopping and mixing, HUNGRY places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss. 

Reviewed in the NYT's: http://www.nytimes.com/2016/03/07/theater/review-hungry-portrays-a-mourning-clan-in-election-year-2016.html?_r=0

Theater: Pearl Theater Company performs Stupid Fu**ing Bird

Review:

http://www.nytimes.com/2016/03/29/theater/review-stupid-bird-is-chekhov-for-the-21st-century.html?_r=1

The Company:

http://www.pearltheatre.org

Musical Theater: Bone Hill at Atrium Lincoln Center

Music and Lyrics: Martha Redbone and Aaron Whitby

On 4/28/16: A concert-style performance of a work-in-progress.

HD Live Theater Broadcast: As You Like It, The Royal National Theater

(PERSSON PHOTOGRAPHY)

From the NTLIVE.com web site: https://www.nationaltheatre.org.uk/shows/as-you-like-it

As You Like It
With her father the Duke banished and in exile, Rosalind and her cousin Celia leave their lives in the court behind them and journey into the Forest of Arden.
There, released from convention, Rosalind experiences the liberating rush of transformation. Disguising herself as a boy, she embraces a different way of living and falls spectacularly in love.
Shakespeare’s glorious comedy of love and change comes to the National Theatre for the first time in over 30 years.
Evening Standard Award-winner Rosalie Craig plays Rosalind.
National Theatre Live
As You Like It was broadcast live to cinemas on Thu 25 February, 7pm

The Royal National Theatre in London is one of the United Kingdom's three most prominent publicly funded performing arts venues, alongside the Royal Shakespeare Company and the Royal Opera House.

Theater: The Place We Built by Sarah Gancher

From the Flea Theater web site: http://www.theflea.org/show_detail.php?page_type=0&show_id=172

In a deserted neighborhood in post-communist Budapest, a group of young bohemians build a bar. Reclaiming a Jewish identity their parents’ generation abandoned after the Holocaust, they create a vibrant new subculture combining big ideas, intense debates and outrageous parties. But as authoritarianism and anti-Semitism make a surprise comeback in Hungary, they must fight to save the place they built.

This world premiere production will be directed by Danya Taymor and will feature The Bats, the resident acting company at The Flea: Brittany K. Allen, Lydian Blossom, Tom Costello, Brendan Dalton, Tamara Del Rosso, Philip Feldman, Kristin Friedlander, Cleo Gray, Rachel Ingram, Ben Lorenz, Ash McNair, Sonia Mena, Isabelle Pierre, Xavier Reminick, Leta Renée-Alan, and Tessa Hope Slovis. The creative team includes Arnulfo Maldonado & Feli Lamenca (scenic design), Masha Tsimring (lighting design), Claudia Brown (costume design), Ben Truppin-Brown (sound design), Alex J. Gould (fight choreography),Marte Johanne Ekhougen (puppet design), Zach Serafin (props master), Jocelyn Clarke (dramaturg), Charise Greene (dialect coach), Jake Beckhard (assistant director), and Tzipora Reman (stage management). Playwright: Sarah Gancher.

Theater + Opera: Science Fair at the Here Theater, starring Hai-Ting Chinn

Photos © Kate Milford

From the HERE Theater web site: http://here.org/shows/detail/1734/About the show

A live science show with lessons & lectures in song 

Science Fair is an opera singer’s love-song to science. Conceived and performed by mezzo-soprano Hai-Ting Chinn, Science Fair uses physical demonstrations and experiments, a libretto created from the words of scientists, and original music to illuminate our current understanding of the natural world. Celebrating curiosities like the formation of our solar system, the structure of the atom, and the ancient legacy of DNA, Science Fair pairs light-hearted humor with luscious operatic vocals to uplift the ordinary into the realm of wonder. 

Credits:
Conceived and Performed by Hai-Ting Chinn

With Erika Switzer, Piano and Music Direction

Music by Matthew Schickele, Renée Favand-See, Stefan Weisman, and Conrad Cummings

Directed by Lisa Rothe


Lighting Design by Lucrecia Briceno

Scenic and Projection Design by Caite Hevner Kemp

Costume Design by Hai-Ting Chinn

Slideshow Art by Maki Naro


Technical Director: Zac Blitz
Master
Electrician: Betsy Chester

Music: Room Full of Teeth and Elliot Cole perform "Hanuman's Leap" at the Park Avenue Armory

Elliot Cole, center, performing with Roomful of Teeth at the Park Avenue Armory.

Photo Credit: Hiroyuki Ito for The New York Times

My own review of the show:

I saw "Hanuman's Leap" two nights in a row at the Park Avenue Armory. On the first evening when I sat front-row center, the on-stage speakers (used as monitors for the performers) had a tendency to spill sound into the audience space, muddying the clarity of some of the text. I had sat too close to the stage. On the second night I sat further from the stage and Elliot performed from a stance closer to the audience; the acoustics were balanced and clear. Poetic, fresh and fun, it was a performance of heart-pumping exuberance and optimism. Elliot has a keen sense of drama and dynamics, easily soaring through colorful complex passages performed ensemble with pounding volume, and suddenly dropping into delicate solo passages framed in silence. Roomful of Teeth are always an exhilarating and uniquely inspired group of performers, and Elliot proved himself a talented composer, vocalist and stage presence. Congratulations to the ensemble! - dp

Theater: Pan Pan performs The Seagull and Other Birds

Reviewed in the NY Times http://www.nytimes.com/2016/03/28/theater/review-the-seagull-and-other-birds-turned-upside-down.html?_r=0

At the front of the stage, from left, Una McKevitt, Judith Roddy and Gina Moxley in “The Seagull and Other Birds” at Abrons Arts Center. 

Description below is from the web site: http://www.abronsartscenter.org/performances/pan-pan-seagull-birds.html

The Seagull and Other Birds is a roller coaster reimagining of Anton Chekhov's much-loved comic masterpiece. The performance centers around a concise new version of The Seagullintegrated with a number of works specially commissioned by the company. Through the wormhole of the new work, Chekhov’s characters find themselves in extraordinarily different contexts: classic plays, TV shows, YouTube and stuff they’ve just made up. The result is playful and uncompromising – expect lots of talk about art, some action, and tons of love.

“What we need are new artistic forms.
And if we don’t get new forms it would be better if we had nothing at all.”
(Konstantin, The Seagull, 63)

Pan Pan is the longest-established contemporary theatre company in Ireland, founded in 1991 by co-artistic directors Aedín Cosgrove and Gavin Quinn. The company has constantly examined and challenged the nature of its work and has resisted settling into well tried formulas. Developing new performance ideas is at the centre of the company’s raison d’être which is born from a desire to be individual and provide innovation in the development of theatre art. All the works created are original, either through the writing (original plays) or through the totally unique expression of established writings.

    Cast Andrew Bennett, Una McKevitt, Gina Moxley, Daniel Reardon, Judith Roddy, and Dick Walsh
    Director Gavin Quinn

Music: De Materie (The Matter) by Louis Andriessen 2016 at the Armory, NYC

Composer: Louis Andriessen
Director: Heiner Goebbels
Stage and Lighting Designer: Klaus Gruenberg
Costume Designer: Florence von Gerkan
Sound Designer: Norbert Ommer
Dramaturg: Matthias Mohr
International Contemporary Ensemble (ICE)
Conductor: Peter Rundel
ChorWerk Ruhr

There seems to be a growing interest among artists to merge science and art in performances. In De Materie we observe or have explained: chemistry (behavior of gases in dirigibles and smoke hazes), physics (three double pendulums swinging simultaneously), mathematical principles (ideas of perfection of lines and open shapes that extend into infinity), and biology (herding instincts of sheep). The history of two famous women are touched upon: Marie Curie, devoted to her husband and to their discoveries of radioactive particles, and Hadewijch, the 13th century mystic enraptured with God. A 17th century scientist explains why he believes in the existence of "atoms" - some smallest indivisible units of matter, the building blocks of the material world. 

The set design took advantage of the mathematical principles of randomness. The audience could create innumerable connections between what was seen and heard, forming their own patterns and relationships of rhythm and cause-and-effect. Were those sheep also listening to the music, moving on the beat? 

It was entertaining because we, the audience, like to be busy with our observing brains. A floating dirigible gives us something to experience, something to take our breath away. The sheep give us endless moments of anticipation. But overall, I wonder if either science or spirit or art are actually enhanced by placing them beside each other. For me, it still feels like a puzzle where the pieces have been pressed together but the picture remains disjointed. It was a beautiful entertainment, rich in tone and visually engaging. Perhaps I'm asking too much if it has not deepened my understanding of either science or spirit.  -- dp

Film: Guillaume Nicloux's "Valley of Love." Starring Isabelle Huppert and Gérard Depardie. 2016

Needing to come to terms with the suicide of their adult son, Isabelle and Gérard meet each other at Death Valley. It is many years after their divorce and they are fulfilling the final wish of their son. Though they don't understand the purpose of their actions and only hope for the impossible - that their son might come back to life - they slowly experience transformation. Anguish chips away at their defenses; they gradually reveal the intimate details of their current lives. We sense that they need each other despite their emotional roadblocks.
This is a brilliant film that captures the wide range of ambiguity that's left after messy human relationships have ended. The heat, wind, sun, tedium, fear: every scene can be understood as an outward, physicalized expression of this couple's emotional pain, their state of slow timeless endurance, their desperate expectations of the magical. The director has created a beautiful and safe place for the audience to experience catharsis.  -- dp

Film: Cameraperson by Kirsten Johnson, 2016

Bits of footage from Kirsten Johnson's long career as a cameraperson for numerous films, shot around the world, have been edited together to make her own feature film called Cameraperson. It is largely a roller coaster ride through intimacy - with people and places - that have experienced extreme violence or life's most difficult decisions or corruptions. It has the sense of "revisiting" at a later time, when spring has returned and the fields are planted once again. The memory of trauma lies hidden in the place - but we can guess only barely hidden in the heart and mind of the Cameraperson.

Theater: FLY by Crossroads Theatre Company at the New Victory Theater, NYC

 Found this description on Youtube:

The year is 1944: Allied forces liberate Rome; British and US troops storm the beaches of Normandy; and, on an airfield in Alabama, four brave young men join the first black military aviators in United States history. FLY, a theatrical action-adventure, beautifully employs dance and video projection to illuminate the tremendous courage and resilience of the Tuskegee Airmen. From training to combat, experience the anguish, fears and triumphs of a brotherhood who fought for freedom abroad—and at home. Thrilling, inspired and uplifting, FLY soars.

http://www.crossroadstheatrecompany.org/shows/fly

Film: Dégradé by filmmakers Tarzan and Arab Abu Nasser, released 2015

From a review by Amir Bogen, 5/21/15: http://www.ynetnews.com/articles/0,7340,L-4659147,00.html

"Dégradé" is the first feature film of twin brothers Ahmed and Mohamed Abu Nasser, known as filmmakers Tarzan and Arab Abu Nasser,
…

It's a small film which takes place in one location – a beauty parlor in Gaza, which is visited by women of different ages from different sectors. It's a "small and colorful piece of heaven," where a future bride sits alongside a cynical divorcee, a young pregnant woman, a religious woman covered from head to toe, the beauty parlor's owner who came from Russia, a rebellious hairdresser and an elderly bitter woman played by Nazareth-born Palestinian actress Hiam Abbass. The film's cast also includes actresses Maisa Abd Elhadi and Manal Awad.

Together they create an emotionally charged microcosm which is discharged in conversations about politics, religion and of course men, as opposed to the men who discharge their differences of opinion by firing their Kalashnikov rifles on the street.

This difference between the sexes is emphasized when the hairdresser's lover, the son of a local clan, steals a lion from the infamous Gaza zoo, an act seen by the local Hamas leaders as a spit in the face. They launch a war against him and his family, turning the street into a very dangerous and noisy place.

Based on a true story. 'Dégradé'

The Abu Nasser brothers say the film is based on a true story. "There was a powerful family that had a lion from the zoo, and the government attacked this family to take it," Tarzan explained in an interview. "When Hamas came to power in 2006, they looked to take out all of the various clans to assert their control, looking for reasons each time."

"They killed like 15 members of the family," Arab added.

The viewers experience all these events from within the beauty parlor, where the women are asked to stay until danger is past. But the danger doesn’t pass for hours, and with the gunfire and blast sounds outside, the women share intimate moments inside, in which they discuss their love stories, their approach towards life, secularism versus religiousness and Gaza's deterioration. Granted, Israel is often mentioned in a negative context, but the discussion focuses on the Hamas government and the Palestinian society which is being torn under its rule.

"Women in Gaza are like all other women in the world, although their suffering is very unique," the 26-year-old brothers said in an interview to the local media. "We need women in order to bring about change in Gaza. They are our heroes because despite the ongoing war, they represent life.

"The movie includes battles outside the beauty salon, but inside they continue with their love stories. They want to remain beautiful, hoping for a date or marriage. While people are shooting at each other on the street, putting on lipstick becomes an act of protest: Holding on to humanity no matter the circumstances, keeping hope alive."

While the film's characters mostly discuss their personal life, their distress is clear and so is the harsh criticism directed at Hamas and the street gangs. "All they bring is violence. They don't let us live peacefully," the women charge, pointing an accusing finger at the religious woman, who declares: "Just because I look like this doesn’t mean I voted for them."

Music: Yo La Tengo, Alvin Lucier, Ecstatic Music Festival 2/17/16

At the Merkin Concert Hall:

Pioneering indie rock band Yo La Tengo present an evening centered around their relationship with the work of seminal composer Alvin Lucier. - See more at: http://www.kaufmanmusiccenter.org/mch/event/ecstatic-music-festival-yo-la-tengo-alvin-lucier/#sthash.nRtlt8GM.dpuf

Theater: Sense and Sensibility by Bedlam Theater, Judson Garage 2/20/16

SENSE & SENSIBILITY

by Jane Austen, adapted for the stage by Kate Hamill

directed by Eric Tucker

CAST:

Laura Baranik, Kate Hamill,

Nigel Gore, Jason O'Connell,

Andrus Nichols, John Russell,

Vaishnavi Sharma,

Samantha Steinmetz,

Eric Tucker, Stephan Wolfert